marknsol

01 02 03 〈Four Eyes〉, 2025 A figure exists as an image only while four gazes— selfie, acquaintance, media, and artist—operate simultaneously. This work does not interpret the figure, but observes the structural conditions that allow an image to persist. 〈네 가지의 시선〉, 2025 한 인물은 네 가지 시선— 셀카, 지인, 미디어, 작가—이 동시에 작동할 때만 하나의 이미지로 유지된다. 이 작업은 인물을 해석하지 않고, 이미지가 인간을 성립시키는 구조 자체를 관찰한다. 04 05 06 07 08 This work does not aim to describe a character or convey a narrative. Instead, it observes the conditions under which a human figure is constituted as an image. The figure presented here is not a subject, but an image-state sustained only while four different gazes operate simultaneously. The selfie gaze repeats self-representation; the acquaintance’s gaze oscillates between intimacy and distance; the media gaze fixes the figure as record, data, and frame; and the artist’s gaze observes the operation of these gazes themselves. These four gazes do not interpret or explain the figure. Rather, they keep ...